Keukenhof, the Netherlands

After a few days in Amsterdam trying not to trip over any one of the 600,000 bicycles lying around, or fall into a canal; the latter potentially precipitated by the former, I went in search of tulips. Sure, Amsterdam has tulips, but it doesn’t have a 32 hectare park filled with four and a half million of them in a hundred varieties, plus another three million or so other bulbs — all planted by hand. To see that, I travelled to Keukenhof near the city of Lisse, less than an hour’s drive away.

Thanks to a cool spring in Europe, peak blooming coincided perfectly with my visit — and also with the visit of a large percentage of the other 850,000 tourists that drop by each spring; yet with 15 kilometres of pathways, the park easily accommodated us.

Keukenhof is only open for a couple of months each spring, but the added attraction on the 21st of April was the Flower Parade, called the Face of Spring. Huge floats and vehicles of the bulb growers, all spectacularly adorned with flowers, travel a forty kilometre route through towns and villages before arriving in late afternoon to a huge welcome at Keukenhof.

Before squeezing onto the main street of Lisse to watch the parade, I spent the day in the park admiring endless beds of spring flowering bulbs arrayed in clumps, swirls, strips and circles. Spellbinding? — I’ll say. They wound around the lake edge, flowed across open parkland, and swept like rivers between the trees to fill glades and dells. Swans on the lake added grace, but played second fiddle to tulips in this beauty contest, while masses of daffodils invited wandering like Wordsworth, though perhaps not so lonely as a cloud.

And the fragrance? The half a dozen hyacinths near my patio are always a delight, but when a breeze carries the output of a thousand, it’s incomparable. Must be why the birds were singing a chorus to this floral symphony. The place is a gardener’s dream, and certainly many an artist’s. Vincent Van Gogh managed to knock off a few tulip pictures, though not at Keukenhof; the current gardens were only created sixty years ago. He would be happy to learn that just last year a reddish brown tulip was named the Van Gogh tulip.

Today, the digital camera has captured every flower growing there, including those being cultivated in the distant tulips fields beyond the park. Laid out like a huge, striped blanket, the striations of colour will vanish overnight when the flower heads are snipped. This is done to prevent seeds forming at the expense of the bulb. I managed a few pictures myself despite thinking a Google search can probably find more than enough images on the internet. Check it out and see the blue rivers of grape hyacinths and beds of regal fritillaria, but it can’t compare to being there. The number of visitors has now surpassed 44 million, almost three times the population of the country.

The meaning of Keukenhof in Dutch is kitchen court, or herb garden, one of its uses when part of the estate of Baron and Baroness Van Pallandt during the nineteenth century. Shortly after the end of the Second World War, a flower exhibition was held at Keukenhof and went on to become this amazing annual event. Originally conceived by a group of bulb growers and exporters as a means to promote their product, it is now operated as a foundation.

One day at Keukenhof with a parade thrown in was a wonderful experience — more would be heaven, but I had to leave to brave the streets and canals of Amsterdam once more. The center of the city may be designated car free, but those bikes are everywhere — but so are wonderful museums, art galleries, botanical gardens, flower markets, pancakes — and one or two tulips. 

Whistling Gardens

This summer I again made my way down to Whistling Gardens, Canada’s newest botanical garden. Located just south of Brantford, it’s the creation of former outdoor education teacher and tree propagator, Darren Heimbecker.

After visiting many of the finest botanical gardens in Europe, Darren was inspired to create his own, practically on our doorstep. Nine years ago he bought a farm which up until four years ago was still growing corn. He then began converting the land from agriculture to horticulture. He readily admits it was an immense challenge and a struggle at times, but this unassuming man fulfilled what many would consider the wildest of dreams.

This is only the second year the gardens have been open and word is already spreading rapidly about this unique property. Currently, eighteen acres are cultivated and now contain the largest public collection of conifers in the world. Over 2,400 species, hybrids and cultivars are planted and thriving. Ideally situated within the Carolinian forest region of the province, the garden is perfectly suited for growing unique species, some among the rarest in the world.

Among them is Abies beshanzuensis, a fir tree that was only discovered in 1963 in China. Today, only three survive in the wild, although a limited number have since been propagated. Another unusual tree, a larch from Japan — Larix kaempferi ‘Diana’, has branches that twist and contort as it grows. Pine trees from Mexico, a variegated oak from Britain, there’s a whole forest of fascinating trees.

In the rock garden, with the 2,000 or so bulbs that flower there in spring, including a blue river of grape hyacinths, there is a collection of dwarf conifers that are more suited to the suburban garden than the potential giants planted around the property. The rock garden features equally rare perennials, including Dianthus freynii, the first one I’ve seen. It’s the smallest of pinks with tiny leaves that form a mossy, tufted mound that invites you to reach out and pet it.

The rock garden, with a section dedicated to fossils found locally, is just part of the landscape. Did I mention the hundreds of varieties among the 3,000 perennials? The huge clumps of Asiatic lilies, unsullied by the pesky red lily beetle, were prominent. Complementing the perennials, Darren manages to slip in 5,000 annuals to add to the show.

Besides the conifers, Darren’s collection of deciduous trees is on the increase with 40 varieties of Cornus (dogwood) and thirty, yes thirty magnolias. A new addition is Acer capillipes, the snake bark maple with its strangely patterned bark. This, like other introductions are undergoing evaluation as they are being grown for the first time in Canada.

At every turn there is something unique to see. Almost four kilometers of pathways take in the Temple Garden where wedding ceremonies are held, and a fountain amphitheater where over 100 jets of water perform to music (composed by Darren). Water features abound and include a lake with swans, a hidden pond, and a Marsh Garden based on one that existed at Versailles.

A garden on this scale and with this number of plants requires multiple visits throughout all seasons to see different plants at their best. In many ways it is a work in progress and it will be years before some of the tree specimens reach their full potential, but what a place to see now and witness the birth of one man’s dream.

Arizona Desert Botanical Garden

The plan was to escape the snow for once, except this was the winter without any. Regardless, it didn’t discourage me from taking a trip south in February to do a little hiking around the red rock country in Arizona. Even there at higher elevations we walked in snow, but in Sedona apple blossoms were blooming. And down in Phoenix spring was well underway, a perfect time to explore the Desert Botanical Garden under a dazzling blue sky. I couldn’t possibly miss the opportunity to see this extraordinary garden filled with rare and unique plants of the Sonoran desert that covers much of the South West United States and parts of Mexico.

The Desert Botanical Garden was first conceived by local people back in the nineteen thirties who saw the need to preserve their native flora. The garden has grown to 58 hectares with more than 26 under cultivation containing fifty thousand plants: yuccas with flowers on four meter stalks; huge, spiky agaves; desert wildflowers; and of course, cacti in all shapes and sizes, including a bonus — at the main entrance stands a group of priceless ones created in glass by renowned sculptor, Dale Chilhuly.

Volunteers started the garden and it is volunteers who keep it humming along, all eleven hundred of them. I met a number stationed along the trails as interpreters, happy to talk to visitors about the plants in their care. One section named the Plants and People of the Sonoran Desert contains the plants that were used to house, clothe and sustain the desert dwellers of the past. Another is reserved as an outdoor classroom where cottonwood trees shade groups of schoolchildren who gather to study the plants and, with luck, grow up to be tree huggers, except hugging is not a good idea in this garden.

Getting around is easy on wide, paved trails — essential, as wandering off piste is neither permitted nor advisable where the majority of plants are assertive cacti, especially the huge, ubiquitous saguaro. This is the cactus of countless old westerns, the original cartoon cactus, growing as tall as fifteen meters with multiple arms reaching for the sky. Sue, one of the volunteers, was on hand to explain how the arms sprout forth to increase production of the night blooming flowers that appear in April. These are followed by ruby-coloured, edible fruit in June.

 

I also learned that when birds nest in holes pecked into the side of the Saguaro, the plant then cooperates by forming a smooth callus to line the hole, making a perfect nesting box. What did surprise me was the sight of a dead Saguaro. Somehow I thought it would simply turn mushy and rot away, but not so. Instead, it resembled a bundle of split cedar rails.

The trees and shrubs of the Sonoran are designed to retain water and reduce transpiration from their leaves. The cottonwood tree there has two sets of roots — one close to the surface that spread beyond the drip line and another that drives deep into the earth to reach the water table. The creosote shrub (Larrea tridentata) is another plant with a strong will to survive harsh conditions. It has no connection with the common wood preservative, but it does have many uses, particularly medicinal, though like many herbs, dangerous if used unwisely.

It really isn’t a friendly bush. To conserve moisture, it inhibits the growth of other plants in the area, while its small, resinous leaves wouldn’t spare a hint of moisture for the thirstiest coyote. When it does rain, however, the leaves fill the air with a pungent odour, considered unpleasant by some. Volunteer Janet showed me how to sample the fragrance by simply breathing on the leaves then taking a sniff — conclusion: more a deodoriser than a designer air freshener.

As usual, there were too many plants and too little time, but I thoroughly enjoyed my visit and highly recommend it for anyone passing through the Phoenix area, and it almost never snows in the Desert Botanical Garden.

Malaysian Borneo

I lost my hat in the South China Sea. It wasn’t the gentle, cooling breeze tempering the hot midday sun that whipped it away. It was the speed of the power boat I was riding in as it shuttled passengers between Kota Kinabalu, capital of Sabah state in East Malaysia and Sapi Island. Just a speedy ten minute boat ride offshore, the island is one of a group in the marine park named after Malaysia's first Prime Minister, Tunku Abdul Rahman. Visitors are drawn to the Sapi’s white sandy beaches, swaying palm trees, and tropical rainforest, where huge monitor lizards can be seen lazing about at the forest edge. They wait patiently for visitors to leave, but curious macaque monkeys, with the same attitude as raccoons, will occasional leave the forest to see what’s for lunch.

Terrestrial wildlife aside, the park is one of the finest locations anywhere for scuba diving, but for the non diver, Sapi offers a unique experience — under water walking. The only requirements are the ability to walk and breathe — easy. I tried it and didn’t even get my hair wet. Wannabe Captain Nemos descend just a few meters to the sea floor wearing a weighted helmet that’s supplied with a steady flow of clean, filtered air. Groups are chaperoned by an experienced scuba diver, plus the area is cordoned off for safety. There was no need to walk far, however, as schools of curious, exotically coloured fish immediately show up to greet an alien invasion of their world. The experience was a delight, like being inside the aquarium for a change. It is one of many unique attractions awaiting the tourist willing to travel to the outer limits of a well travelled planet.

On the return trip from Sapi, the boat docked at Jesselton point. Jesselton is the former name of Kota Kinabalu, or KK as it is known. It was named after Sir Charles Jessel, a Vice Chairman of the British North Borneo Company at a time when Malaysia was under colonial rule. During World War II, Jesselton was abandoned then bombed by the retreating British to prevent it falling into enemy hands. After the war, the city was rebuilt by the new colonial government and, in 1968, eleven years after independence of Malaysia, it was renamed Kota Kinabalu.

During colonial times, Jesselton attracted adventurers, northern land pirates, and Foreign Service diplomats. One of those diplomats was Francis George Atkinson, the first District Officer during the British North Borneo Chartered Company Administration. He died of malaria in 1902 at the age of 28. As a memorial, his mother, Mary Edith Atkinson, had a clock tower erected on the highest hill in the city, Signal Hill, at that time known as Bukit Brace. The tower, used as a navigating aid for years is one of only three buildings to survive the wartime bombing. Also on Signal Hill is an observatory with platforms that offer amazing views of the city, the South China Sea, and the outlying islands, shorelines clustered with water villages.

To capture and preserve the history and culture of Borneo, the state of Sabah, in 1985, created an impressive complex containing a museum, botanical and zoological gardens, and a heritage village that shouldn’t be missed. The main museum building, inspired by the longhouses of the indigenous people of Borneo, contains a rich display of artifacts including, of course, a nice assortment of skulls. This was the home of head hunters in a bygone age. At least it was only my hat that I lost.

Now, with a population of half a million, and a popular gateway for travellers visiting Borneo, Kota Kinabalu is the fastest growing city in Malaysia. The increasing popularity among tourists hasn’t yet jaded its citizens, who are warm, friendly, and polite. To shop leisurely in the huge, waterfront handicraft market or in the main street market (where inexpensive pearls are a featured item) without being subjected to the slightest sales pressure is a rare pleasure for the traveller.

 The city, and Malaysia as a whole, has made huge strides in development in the relatively short time since independence. Construction may have produced a modern infrastructure including luxury hotels and modern, international airports, but tradition is respected. This is evident in the state mosque, a stunning building close to the centre of the city. It combines Islamic architecture with a contemporary design, and while the towers and majestic dome inlaid with gold motifs gleam in the sun, the interior of the building offers a respite from the heat of the day. Other than Fridays, which is a day of prayer for Muslims, visitors are welcome providing they follow the dress code — no shorts and covered heads for women. Equally impressive is the Kota Kinabalu City Mosque at Likas Bay. Like a desert mirage, it soars out of a man-made lagoon alongside the coastal highway on the outskirts of the city.

Mosques appear throughout Malaysia — Islam is the official religion — and they have an imposing presence in the same way as western churches and cathedrals do, but on the street, in the market, the atmosphere is pleasantly relaxed. Communication isn’t a problem. Although Malay, also known as Bahasa, is the official language, everyone seems to speak a little English, a useful remnant of the British Empire, while "Manglish" a mutation of the two languages mixed with local dialects is commonly used too. But, with echoes of Quebec, there are government plans to reduce the use of the local lingua franca while promoting correctly spoken Malaysian.

Whatever the language; shopping, eating, and getting directions there is simple — ask anyone where to find food and you’ll get a favourable response. Food is revered and relished in Malaysia, and with numerous ethnic groups plus sizable Indian and Chinese populations, there’s a huge range of deliciously varied and often integrated styles of cooking. The less adventurous gourmand will be happy to learn there is a solitary representative of the western fast food industry present downtown — a KFC store — open 24 hours.

Meanwhile, local restaurants serve up local game and endless varieties of chin dribbling fresh fruit, the stuff we’d pay a fortune for in our grocery stores — sweet and sour rambutan, much sweeter pulasan, which is rare outside south-east Asia, and the infamous durian, both revered and abhorred due to its unique fragrance. The strange odour even permeates the husk and has caused durian to be banned in many hotels and public places, and yet the fruit is delicious.

There’s abundant fresh sea food, with shellfish in particular prepared as take out food from street vendors to be eaten with fresh cili padi (small chillies) and a lime dipping sauce. For those who like to catch their own fish, the South China Sea around Kota Kinabalu and Sabah offers excellent sport fishing opportunities.

Away from the sea, inland, are the rain-forest mountains that rise to east of the city, only a couple of hours drive away. Dominating the skyline and giving the city its name is Mount Kinabalu. At 4,095 metres, the frequently cloud shrouded mountain is the highest in the Malaysian archipelago. The origin of the name is uncertain, possibly meaning a Chinese Widow or the revered place of the dead, but what is known for certain is the uniqueness of the mountain.

Its slopes and foothills hold an amazing number of plant species, including some of the rarest of orchids. The incredible biodiversity is due to the dramatic changes in climatic conditions that range from sea level through tropical to near freezing at the summit of the mountain. Wisely, in 1964, the government created the Kinabalu National Park, since designated as a World Heritage Site and one of the most important biological places in the world. It now attracts half a million visitors each year who arrive to see the unique species of plants, to try to spot the 326 species of birds found there, or simply to climb the mountain.

It doesn’t require mountaineering skills to conquer Kinabalu, but climbers are required to be accompanied by guides. A fit, well prepared person is expected to take less than two days to hike, clamber and crawl to the top. The average rainfall in the park is 2700 mm a year, enough to swim in, so it’s best to avoid the rainiest seasons. Attempts are best made during the driest period, from January to April, but note driest doesn’t mean rain free.

Naturally, there are competitive types who want to race to the top and their needs are provided for.
Super-fit athletes can challenge the mountain in one of the toughest mountain races in the world. The Mount Kinabalu International Climbathon was established in 1987 and takes place each October. It attracts a highly competitive, international field that must run a total distance of twenty-one kilometres up and down the mountain. It’s a gruelling race that was initially restricted to Malaysians, but was soon opened to international participants and now attracts the best mountain runners in the world. The best manage it in less than three hours. I’ll wait for the helicopter franchise to start up; meanwhile the bus ride back down the mountains to the city provided enough adventure. I held on to my new hat.

More on my Borneo adventure.

Malaysian Borneo

After one of the coolest summers on record accompanied by too many complaints about plants not blooming and tomatoes not ripening due to a lack of sunshine, I thought, forget it, I’m taking off for somewhere a little warmer — Borneo. 

To be truthful, the trip was planned long before I felt any need for a change in weather, but I certainly found the sun and warm temperatures — and acres of blooming bougainvillea, frangipani, and orchids, orchids, and even more orchids. 

It was a lovely trip, plus any expectations I might have had before embarking were exceeded when I had the amazing good fortune, purely by chance, to see the largest flower in the world in bloom.

Mount Kinabalu

I was on an air conditioned bus travelling a mountain highway near Mount Kinabalu in the east Malaysian state of Sabah, when the driver jammed on the brakes and swerved onto the shoulder of the road. He’d spotted the hand painted sign at the side of the road — a picture of a flower with the words “Rafflesia in bloom”. 

We piled out of the bus into a steam bath wondering what the fuss was about. I can honestly say that I didn’t know much about Rafflesia, but the locals sure knew. As soon as they’d found it, up when the sign and out went the cash box. And who can blame them. In fact it’s encouraged as a means to protect this endangered species. I paid my thirty ringgits (about ten dollars), and stepped onto the trail through the forest. Fortunately, it was only a short walk along a freshly trampled track and there it was, the extremely rare Rafflesia arnoldii, protected by a hastily erected bamboo fence.

Rafflesia

And what a curious plant it is, only occurring in the rainforests of Sumatra and Borneo. As a visitor to the country, the chances of actually seeing one in bloom are rare — I only saw one roadside sign the whole trip. In addition to being rare, it takes months for the bud to form, poking its way up through the forest floor to bloom for only a few days, producing a flower as much as a meter in diameter and weighing as much as 11 Kg. (my plant wasn’t a huge specimen, maybe half a meter across, but enough to impress me).

It’s a brown speckled plant and looks a little like a fungus, but it is a parasitic, vascular plant with a distinct fragrance. Believe me; it isn’t called the corpse flower for nothing — not to be confused with that other corpse flower, the Titum arum, which is a larger plant, but it doesn’t rank with Guinness as the largest flower because the arum is composed of multiple florets, rather than a single bloom. The carrion odour emitted by the Rafflesia attracts the flies that provide pollination duties, resulting in a single seed.

Rothschild orchid

After taking pictures I boarded the bus and continued our journey to the botanical garden in Kinabalu National Park, where another fortuitous surprise awaited. The garden is an orchid lover’s delight, with too many in bloom to mention, but one in particular I must: The Rothschild orchid (Paphiopedilum rothschildianum). It’s an orchid rarely seen outside its native habitat, also the most expensive — if you were to dare purchase a plant (smugglers are jailed).

This solitary specimen lay behind a chain link fence, out of reach of drooling fans. It’s found only on the slopes of Mount Kinabalu, one of the world’s most important biological sites, home to 5,000 to 6,000 plant species. Unfortunately, I had to leave without seeing them all, but on the return to the city of Kota Kinabalu, the actual mountain peak appeared briefly from behind the ever present clouds, yet another gift from an amazing country. It’s been quite a summer.

Great Dixter

Great Dixter was the home and garden of the late Christopher Lloyd. Lloyd, revered by gardeners worldwide, was a preeminent plants-man, garden writer, and television personality.

Now operated as a private trust with an educational mandate, this rambling yet cleverly structured garden was originally designed by renowned architect Sir Edwin Lutyens for Lloyd’s parents, Nathaniel and Daisy, after they acquired the fifteenth century house in 1909. It is as glorious as ever, though it has never remained static. Lloyd learned gardening skills from his mother, then boldly modified and enhanced many aspects of the garden in the thirty years following Daisy’s death in 1972.

 After Lloyd’s death in 2006, head gardener, Fergus Garret, has continued to care for the garden. He has experimented boldly, creating unique combinations of colour and form. I saw bright crimson tulips soar through swaths of blue forget-me-knots, masses of cow parsley (yes that weed) tempering the kaleidoscopic springtime blaze of poppies, euphorbia, wallflowers, and bluebells. Soft and low boxwood hedges combine with huge ones of yew to form an erratic maze of delights connecting the many sections, or garden rooms, while giant topiary mounds topped by figures of birds, stand like sentinels.

Known for his succession planting schemes that ensured colour throughout all seasons, the shrubs, climbers, perennials, annuals, and biennials in beds and mixed borders ensure something is always exploding into bloom.

Lloyd certainly had the eye of an artist, or it could be easy to believe he simply wandered about wearing an old jacket, countless seeds carelessly spilling from the holes in his pockets, accidentally creating heavenly vistas.

Monet's Giverny

It was a single red poppy in a field of wheat beside a busy parking lot that caught my attention. The solitary flower had a calming affect on me after having just spent too short a time whirling through Claude Monet’s garden. It’s a busy place, visited as it is each year by half a million art lovers and gardeners from around the world. 

Those are the two main reasons to visit — to see what inspired his art or the garden that Monet created — or both. In reality, it is hard to separate the two.  I suppose I approached it as a gardener, but as soon as I stepped into the garden, it became less about plants and more about the images before me. I felt I was strolling through a living gallery of Monet’s art.

The sight of the oh so familiar water lily pond, however, featured so often in his paintings, managed to evoke a little gardener envy. The strolling pathway meanders around it, bordered by weeping willows, Japanese maples, bamboo and irises, allowing for a constantly changing perspective of the famous lilies. I crossed over one of the most painted and photographed bridges in the world beneath a huge blanket of wisteria. When in bloom a week or two earlier, the fragrance would have been heavenly.

I skipped taking my own picture of the bridge, crowded as it was with pond viewers and left to enter the main garden. The two areas are separate, each a couple of acres in size divided by a busy road. Monet began developing the gardens after moving there in 1883, then ten years later bought the land across the road where he had the pond dug. He would only have had to dodge the occasional horse and cart, but distracted visitors can now cross safely by way of a tunnel.

The garden is described as a Clos Normand, enclosed by walls and planted much as an English cottage garden filled with annuals and perennials and roses. Oh the roses — huge and healthy, masses of them all in bloom growing over arbors and walls, competing with clematis, fighting for space on the ivy covered house and filling flower beds.

The beds are simple and not for the neatnik. They’re long and narrow and don’t meet any concept of current landscape design. They stretch down the gentle slope from the house, each one a slightly different palette from its neighbours, filled with endless clumps of plants chosen to contrast or complement in colour, texture, shape and size. It’s peak time for poppies, purple and mauve against a perfect shroud of Verbena bonariensis, just one example of Monet’s artistic skill. Monet sure knew his colours.

Due to the number of visitors the narrow inner walkways between the beds are cordoned off, which is wise. Fill them with people and it would look like a checkout line at a garden center, and it would increase maintenance work for the gardeners, all eight of them.

The head gardener is now British born James Priest who only started his job on June 1^st, a couple of days after I visited the garden. He’s a 53-year-old Kew trained horticulturalist from Liverpool, but he has lived in France for 27 years. Priest has stated his intent is to ensure Monet’s concept is fully realized with a review of the original garden. 

After Monet died in 1926, the garden deteriorated and was eventually abandoned, the flower beds covered in turf and the pond soon filled with silt.  Restoration only began in the late 1970s by Gerald van der Kamp, curator of the property, with head gardener Gilbert Vahe. His retirement after 35 years tending the garden opened up an opportunity for James Priest to take over.

After only an hour or two there, I had to leave too, to return to my own garden where there are a couple of poppies waiting to bloom.

Homeward Bound

My tree peony had a huge bud on it at the beginning of June but I never saw it bloom. In fact, I missed a lot of things happening in my garden during the first couple of weeks of the month. I didn't see the first rose blossoms or the first water lily flower, things I look forward to with eager anticipation.

I didn't mind at all missing these garden highlights as I was away on a two week garden tour of Northern England. Not a typical organised garden tour, travelling on a luxury coach, staying at five star hotels and dining with Jamie Oliver. Mine was an unorganised tour, more often disorganised. I was mainly visiting family, but found time to do my own tour on foot and in a rental car.

Yorkshire moors, heather in bloom

I made numerous serendipitous discoveries of remarkable gardens simply by leaving my sister's house and wandering around the village. It's located in the Holme Valley, which extends upwards from an old industrial city onto moorland in the heart of the Peak District, Britain's first national park — hilly country where farmland is crisscrossed with dry stone walls. In the numerous villages, older houses are stacked on top of each other,  complete with front yards, some of reasonable size, though often barely large enough for a planter. But if there is room for one, it will be there. Not every front garden is worthy of a magazine feature, but the sheer number and variety of styles is remarkable.

While driving, I frequently turned a corner only to slam on the brakes, astonished at the sight of a garden perched in the strangest of places, while hearing cries of  "Not again Dad" from the back seat. The excitement of discovery was only surpassed by the thrill of driving on the wrong side of narrow, steep, twisty roads that were designed for horses and asses, not motor vehicles, and it's no surprise to find that many asses are now driving cars — often stopping suddenly to leap out for closer looks at front gardens. Stop signs are rare and when yield is occasionally suggested by a rusty sign or couple of dotted lines across the road, it's only a vague concept. When oncoming traffic approaches, it becomes  a matter of squeezing the car against a stone wall on the left while allowing side mirrors to air kiss as they pass.

York Gate

I also travelled beyond the valley to visit two gardens that are open to the public, both of which were worth the whole trip. I first visited York Gate near the city of Leeds. It is a masterpiece, considered by many as one of the best small gardens (one acre) in the world. Created by the Spencer family between 1951 and 1994 on a property that was formerly a farm, the garden is based on the "garden room" concept popularised by Lawrence Johnston's Hidcote. There are fourteen "rooms" with enticing names like Dell, Canal, Nut Walk, Sybil's Garden, Pinetum, Fern Border, and Old Orchard.

Each one is unique, meticulously designed, and yet travelling between them was seamless, even though every garden feature you can possibly imagine has been somehow included. I passed along pathways through a sequence of scenes, each culminating in yet another focal point, be it an eight foot high sundial, a grouping of bonsai, a labyrinth — even a compost heap. Everything, including the potting shed with its collection of vintage garden tools, was perfectly situated. At every turn, I discovered rare and unusual plants, including a favourite — a blue Himalayan poppy — made my day.

The garden wasn't at all crowded with visitors, but at an arch beside the greenhouse, I had to wait my turn to get a closer look at a crinodendron in full bloom. Each scarlet-red flower looks like a tiny, perfect lantern, and the shrub was covered with enough to light a whole street. Across the pathway on the gable of the eighteen century house a Pyrocantha was growing, so dense and perfectly espaliered, it resembled a green brick wall. Around the corner, I bumped into a ceanthus — blooms as blue as blue eyes and buzzing with bees. I have the perfect place for such a shrub in my garden, but alas, like many of the rare plants in this garden it will not survive our climate.

I spent most of an idyllic afternoon exploring, sipping tea in the tearoom and chatting with the volunteers who help out. On Sybil Spencer's death in 1994, York Gate passed into the care of Perennial, Gardeners' Royal Benevolent Society, a charity that will continue to maintain the garden in accordance with Sybil Spencer’s wish that it will continue to attract visitors for both education and pleasure.

The second garden I visited was at Parcevall Hall, a gardener's heaven of thirty acres located on a remote hillside near the village of Appletreewick in the Yorkshire Dales. Like York Gate, it was originally a farm, the farmhouse turned into a country home in 1926 by Sir William Milner and is now run as a private retreat house.

Parcevall Hall

A few hours wasn't enough to explore everything the garden offered, but we tried, galloping up and down the terraces and through a wood with the magical name of Tarn Ghyll, darting between the Camelia Walk and the Chapel Garden. I can't begin to describe the beauty and tranquility of this place. The collection of plants is immense, including many rare ones that have never been marketed, particularly rhododendrons. No runty looking shrubs here. They were the size of large garden sheds covered in blooms in the most amazing colours from yellow through pinks and reds to purples.

From the formal gardens, we followed the meandering woodland pathways upward to emerge at the cliff walk gasping, not so much from the climb but at the reward, a stunning view across the surrounding countryside, of green hills far away, laced together with limestone walls, the deep valley of Trollers Gill below. Sir William chose wisely when he set his garden in an area of such natural beauty, but only by visiting during all four seasons could this paradise be fully appreciated.

I'm home now, pulling the weeds that have taken advantage, deadheading spent blossoms, and happy to see that there's still one unopened bud on my tree peony.

Reford Gardens -- Les Jardins de Métis

Drive thirteen hours just to look at a garden? Are you crazy? Some might think so, but not serious plant and garden lovers. Sooner or later they all add this one to their list of gardens to visit. It’s been on my own list for years but I never got around to it until last week when I suggested a road trip to fellow gardener, Mat. The garden in question is Reford Gardens, also known as Le Jardins de Métis, an English-style garden on the banks of the St. Lawrence near Grand-Métis, Quebec.

This historic garden, on the site of a family fishing camp, was created in the 1920s by Elsie Reford, and has been open to the public since 1962. The twenty acre garden, now under the care of her grandson, Alexander Reford, has become a magnet for gardeners intent on seeing this remarkable place. Many are attracted by the hope of seeing the famous blue poppy, Meconopsis betonicifolia — and of course, a sublime garden filled with thousands of other notable plants.

This is why Mat and I were on the road at 4:30 a.m., with a 1200 kilometer drive ahead of us. After a stop to see the roses in the Montreal Botanical garden, we arrived in Metis-sur-Mer just in time to watch a beautiful sunset over the St. Lawrence. We hoped that it portended a sunny day for our garden tour. Alas, daybreak brought torrential rain and thunderstorms. There was little to do but wait in our hotel, Domaine Annie Sur Mer, for the weather to clear. It didn’t, but we hadn’t travelled all that way to sit around looking out on grey skies and grey water, so after reminding (or maybe convincing) ourselves that gardens always look best on cloudy, even rainy days, off we went.

Our somewhat damp enthusiasm was rewarded when, as we entered the garden, the rain eased then stopped completely — what a gift. There was no sunshine but we were beaming as we walked through a still dripping spruce forest along puddled pathways and over the wooden bridges that crisscross the small creek.

It was here that Elsie Reford created the heart of her garden. The pathways wind by the moss covered stone walls she built to stabilize the steep slopes. Azaleas of yellow and orange lit up the forest as masses of candelabra primula spilled down to the edge of the creek. Everywhere, forest-dwelling ferns gently softened the colourful plantings. Okay, I could go on about countless gorgeous plants — and of course the amazing blue poppies, but there’s so much more to this garden, including a lupine filled meadow.

A major attraction are the twenty-seven other gardens currently in place as part of the annual garden festival that makes Reford Gardens a unique horticultural tourist destination. These conceptual gardens, many of which are permanent, are created by designers from around the world. Artistic and sculptural, they’re designed to amaze, evoke, and puzzle over — ever seen trees other than in of Lord of the Rings that move across the forest floor? We did.

There was even a place for that blight of gardens everywhere, pink flamingoes. At Reford they were delightfully displayed in The Veil Garden as a flock advancing through ferns. I may have to consider finding room in my own garden for a few — or maybe in Mat’s garden.

I could attempt to describe our visit in endless detail, but I wouldn’t be able to capture the magic of Elsie Reford’s dream, enhanced impressively by talented designers. It’s the kind of place that simply has to be seen, but only if you’re up for a long road trip and willing to take a chance on having perfect garden viewing weather, as we did — the kind of rain we dearly need around here. Learn more here: Le Jardins de Métis See images