David Hobson's Green Trips
Gardens seen and more
Keukenhof, the Netherlands
Whistling Gardens
Arizona Desert Botanical Garden
Malaysian Borneo
I lost my hat in the South China Sea. It wasn’t the gentle, cooling breeze tempering the hot midday sun that whipped it away. It was the speed of the power boat I was riding in as it shuttled passengers between Kota Kinabalu, capital of Sabah state in East Malaysia and Sapi Island. Just a speedy ten minute boat ride offshore, the island is one of a group in the marine park named after Malaysia's first Prime Minister, Tunku Abdul Rahman. Visitors are drawn to the Sapi’s white sandy beaches, swaying palm trees, and tropical rainforest, where huge monitor lizards can be seen lazing about at the forest edge. They wait patiently for visitors to leave, but curious macaque monkeys, with the same attitude as raccoons, will occasional leave the forest to see what’s for lunch.
Terrestrial wildlife aside, the park is one of the finest locations anywhere for scuba diving, but for the non diver, Sapi offers a unique experience — under water walking. The only requirements are the ability to walk and breathe — easy. I tried it and didn’t even get my hair wet. Wannabe Captain Nemos descend just a few meters to the sea floor wearing a weighted helmet that’s supplied with a steady flow of clean, filtered air. Groups are chaperoned by an experienced scuba diver, plus the area is cordoned off for safety. There was no need to walk far, however, as schools of curious, exotically coloured fish immediately show up to greet an alien invasion of their world. The experience was a delight, like being inside the aquarium for a change. It is one of many unique attractions awaiting the tourist willing to travel to the outer limits of a well travelled planet.
On the return trip from Sapi, the boat docked at Jesselton point. Jesselton is the former name of Kota Kinabalu, or KK as it is known. It was named after Sir Charles Jessel, a Vice Chairman of the British North Borneo Company at a time when Malaysia was under colonial rule. During World War II, Jesselton was abandoned then bombed by the retreating British to prevent it falling into enemy hands. After the war, the city was rebuilt by the new colonial government and, in 1968, eleven years after independence of Malaysia, it was renamed Kota Kinabalu.
During colonial times, Jesselton attracted adventurers, northern land pirates, and Foreign Service diplomats. One of those diplomats was Francis George Atkinson, the first District Officer during the British North Borneo Chartered Company Administration. He died of malaria in 1902 at the age of 28. As a memorial, his mother, Mary Edith Atkinson, had a clock tower erected on the highest hill in the city, Signal Hill, at that time known as Bukit Brace. The tower, used as a navigating aid for years is one of only three buildings to survive the wartime bombing. Also on Signal Hill is an observatory with platforms that offer amazing views of the city, the South China Sea, and the outlying islands, shorelines clustered with water villages.
To capture and preserve the history and culture of Borneo, the state of Sabah, in 1985, created an impressive complex containing a museum, botanical and zoological gardens, and a heritage village that shouldn’t be missed. The main museum building, inspired by the longhouses of the indigenous people of Borneo, contains a rich display of artifacts including, of course, a nice assortment of skulls. This was the home of head hunters in a bygone age. At least it was only my hat that I lost.
Now, with a population of half a million, and a popular gateway for travellers visiting Borneo, Kota Kinabalu is the fastest growing city in Malaysia. The increasing popularity among tourists hasn’t yet jaded its citizens, who are warm, friendly, and polite. To shop leisurely in the huge, waterfront handicraft market or in the main street market (where inexpensive pearls are a featured item) without being subjected to the slightest sales pressure is a rare pleasure for the traveller.
The city, and Malaysia as a whole, has made huge strides in development in the relatively short time since independence. Construction may have produced a modern infrastructure including luxury hotels and modern, international airports, but tradition is respected. This is evident in the state mosque, a stunning building close to the centre of the city. It combines Islamic architecture with a contemporary design, and while the towers and majestic dome inlaid with gold motifs gleam in the sun, the interior of the building offers a respite from the heat of the day. Other than Fridays, which is a day of prayer for Muslims, visitors are welcome providing they follow the dress code — no shorts and covered heads for women. Equally impressive is the Kota Kinabalu City Mosque at Likas Bay. Like a desert mirage, it soars out of a man-made lagoon alongside the coastal highway on the outskirts of the city.
Mosques appear throughout Malaysia — Islam is the official religion — and they have an imposing presence in the same way as western churches and cathedrals do, but on the street, in the market, the atmosphere is pleasantly relaxed. Communication isn’t a problem. Although Malay, also known as Bahasa, is the official language, everyone seems to speak a little English, a useful remnant of the British Empire, while "Manglish" a mutation of the two languages mixed with local dialects is commonly used too. But, with echoes of Quebec, there are government plans to reduce the use of the local lingua franca while promoting correctly spoken Malaysian.
Whatever the language; shopping, eating, and getting directions there is simple — ask anyone where to find food and you’ll get a favourable response. Food is revered and relished in Malaysia, and with numerous ethnic groups plus sizable Indian and Chinese populations, there’s a huge range of deliciously varied and often integrated styles of cooking. The less adventurous gourmand will be happy to learn there is a solitary representative of the western fast food industry present downtown — a KFC store — open 24 hours.
Meanwhile, local restaurants serve up local game and endless varieties of chin dribbling fresh fruit, the stuff we’d pay a fortune for in our grocery stores — sweet and sour rambutan, much sweeter pulasan, which is rare outside south-east Asia, and the infamous durian, both revered and abhorred due to its unique fragrance. The strange odour even permeates the husk and has caused durian to be banned in many hotels and public places, and yet the fruit is delicious.
There’s abundant fresh sea food, with shellfish in particular prepared as take out food from street vendors to be eaten with fresh cili padi (small chillies) and a lime dipping sauce. For those who like to catch their own fish, the South China Sea around Kota Kinabalu and Sabah offers excellent sport fishing opportunities.
Away from the sea, inland, are the rain-forest mountains that rise to east of the city, only a couple of hours drive away. Dominating the skyline and giving the city its name is Mount Kinabalu. At 4,095 metres, the frequently cloud shrouded mountain is the highest in the Malaysian archipelago. The origin of the name is uncertain, possibly meaning a Chinese Widow or the revered place of the dead, but what is known for certain is the uniqueness of the mountain.
Its slopes and foothills hold an amazing number of plant species, including some of the rarest of orchids. The incredible biodiversity is due to the dramatic changes in climatic conditions that range from sea level through tropical to near freezing at the summit of the mountain. Wisely, in 1964, the government created the Kinabalu National Park, since designated as a World Heritage Site and one of the most important biological places in the world. It now attracts half a million visitors each year who arrive to see the unique species of plants, to try to spot the 326 species of birds found there, or simply to climb the mountain.
It doesn’t require mountaineering skills to conquer Kinabalu, but climbers are required to be accompanied by guides. A fit, well prepared person is expected to take less than two days to hike, clamber and crawl to the top. The average rainfall in the park is 2700 mm a year, enough to swim in, so it’s best to avoid the rainiest seasons. Attempts are best made during the driest period, from January to April, but note driest doesn’t mean rain free.
Naturally, there are competitive types who want to race to the top and their needs are provided for.
Super-fit athletes can challenge the mountain in one of the toughest mountain races in the world. The Mount Kinabalu International Climbathon was established in 1987 and takes place each October. It attracts a highly competitive, international field that must run a total distance of twenty-one kilometres up and down the mountain. It’s a gruelling race that was initially restricted to Malaysians, but was soon opened to international participants and now attracts the best mountain runners in the world. The best manage it in less than three hours. I’ll wait for the helicopter franchise to start up; meanwhile the bus ride back down the mountains to the city provided enough adventure. I held on to my new hat.
Malaysian Borneo
Mount Kinabalu |
Rafflesia |
Rothschild orchid |
Great Dixter
Great Dixter was the home and garden of the late Christopher Lloyd. Lloyd, revered by gardeners worldwide, was a preeminent plants-man, garden writer, and television personality.
Now operated as a private trust with an educational mandate, this rambling yet cleverly structured garden was originally designed by renowned architect Sir Edwin Lutyens for Lloyd’s parents, Nathaniel and Daisy, after they acquired the fifteenth century house in 1909. It is as glorious as ever, though it has never remained static. Lloyd learned gardening skills from his mother, then boldly modified and enhanced many aspects of the garden in the thirty years following Daisy’s death in 1972.
After Lloyd’s death in 2006, head gardener, Fergus Garret, has continued to care for the garden. He has experimented boldly, creating unique combinations of colour and form. I saw bright crimson tulips soar through swaths of blue forget-me-knots, masses of cow parsley (yes that weed) tempering the kaleidoscopic springtime blaze of poppies, euphorbia, wallflowers, and bluebells. Soft and low boxwood hedges combine with huge ones of yew to form an erratic maze of delights connecting the many sections, or garden rooms, while giant topiary mounds topped by figures of birds, stand like sentinels.
Known for his succession planting schemes that ensured colour throughout all seasons, the shrubs, climbers, perennials, annuals, and biennials in beds and mixed borders ensure something is always exploding into bloom.Lloyd certainly had the eye of an artist, or it could be easy to believe he simply wandered about wearing an old jacket, countless seeds carelessly spilling from the holes in his pockets, accidentally creating heavenly vistas.
The Amazing Chelsea Flower Show
We are fellow pilgrims who have at last reached our goal, attending the amazing Chelsea Flower and Garden Show in London, England. We’re sharing a moment to grab a bite and summon the energy to plunge back into the surrounding crowd of beaming faces. This was in 2013 and my seventh visit to the show. You would think I’d seen enough, but each visit manages to eclipse the previous one, such is the magic of Chelsea.
It’s been said that gardening is to Britain as cooking is to France, although there are rumours that Britain now rivals France in the culinary stakes. The Chelsea Flower show, however, is incomparable. It takes place each year in late May, has been running for over a hundred years, and exemplifies Britain’s passion for plants.
Presented by the Royal Horticultural Society, this international horticultural exhibition is the Olympics of gardening where leading designers and plant producers compete for gold medals. Winning gold can result in an exceptionally successful garden career and likely retirement to a villa in Tuscany.
It’s also the first event each year of the London social calendar, attended on the first day — media day — by The Queen, who is Patron of the Society. On that day, other members of the Royal family frequently appear along with every celebrity with an interest in gardening — or an interest in being seen at this prestigious event. Actresses Helen Mirren and Maggie Smith are regulars, as is former Beatle, Ringo Starr.
The show is then open to the public for the following five days. It takes place on four and a half hectares in the grounds of the Royal Chelsea Hospital, a retirement home for former soldiers. Chelsea Pensioners, as they are called, are revered by the British public and seen around the show, resplendent in their distinctive scarlet uniforms.
Total attendance is capped for the duration at 157,000 otherwise it would be mayhem. Unlike many garden shows, visitors at Chelsea are not allowed to stroll at will through the gardens. Rather, the large show gardens are designed to be viewed from up to three sides, making it a better experience — no people-cluttered images for the photographer. This means, however, that everyone follows the typically British queuing protocol as they politely jostle their way to the front.
My first of many visits was in 2005, which happened to be the 60th anniversary of Victory in Europe Day and when award-winning garden designer Julian Dowle was tasked with creating a garden that would capture a soldier’s nostalgic vision of home at the close of the Second World War.
After chatting over a pint with a group of Chelsea Pensioners, the result was A Soldier's Dream of Blighty, an authentic thatched country pub with rhubarb and roses in the front yard and red poppies lining the pathway. The Chelsea pensioner sitting on the garden bench quaffing a pint of beer perfected the emotive setting, bringing tears to the eyes of admiring well-wishers. This is an example of how a talented designer can create a space that extends beyond plants and flowers to make a deeply emotional connection.
Perfection is the rule at Chelsea, both in the garden designs and the plants. Take those poppies, which volunteers had spent the night warming with heat lamps to ensure they would be open in time.
Each year, fifteen to twenty of these large show gardens are meticulously assembled over three weeks of intense activity as crews toil to create flawlessness, yet temporary gardens that appear to have been in place for ever. Each one is easily the size of our typical suburban backyard and all are sponsored as they require wheelbarrows of cash, averaging over half a million dollars or more.
For this the finest of garden designers are summoned, someone like Cleve West, winner of numerous medals. In 2011 I was in awe of his sunken garden, inspired by a visit he made to Roman ruins in Libya. From a cream-coloured wall, water flowed from multiple pipes, the sound perfected by days of testing to ensure the exact rate of flow would produce the precise sound he wanted as it flowed into the pool below. Sculpted columns, one toppled and artfully overgrown by sprawling flowers, captured the sense of antiquity.
Plants are provided by specialist nurseries around the country while many rare trees and shrubs are imported from warmer climes. All are held in precisely controlled conditions to ensure they are immaculate at show time.
This was never more evident than in a garden designed in 2008 by Tom Stuart-Smith which, besides winning a gold medal, won the prestigious Best in Show, a coveted award bestowed based on votes from show visitors and TV viewers. The show receives wide coverage on TV and is reviewed each evening by Britain’s gardening luminaries, almost in the manner of Coach’s Corner with Don Cherry and Ron McLean.
I found viewing Stuart-Smith’s masterpiece a peaceful, sublime experience. No massed plantings of colourful flowers, but simply shades of green with a few clusters of white peonies and Astrantia. Among the layers of foliage plants, perfectly positioned zinc tanks of still water reflected clouds formed above by the careful pruning of Hornbeam trees, six metres high. It was like discovering a dreamy secret within a forest.
For a startling jolt of colour, a lively crew from Australia frequently wins gold medals with their designs featuring antipodean plants with hardscaping in bright reds reminiscent of an outback landscape. No kangaroos, but their 2011 garden did manage a water feature in the form of a boomerang.
These large gardens range in concept from traditional through contemporary, avant-garde, even radical. Diarmuid Gavin of Ireland, a regular at the show, likes to shock and surprise. Hugely popular in 2011, his Avatar-inspired sky garden floated above the show suspended by a crane. I would have loved a ride, but only lucky VIPs were allowed aboard.
Gavin’s unusual concept for a garden attracted plenty of criticism, but still managed to win gold. Just don’t remind the principal sponsor, Cork city council in Ireland and its taxpayers. The final bill was said to be around $3,000,000. That would purchase quite a chunk of ION track. Regardless, Gavin’s wildly unique concept gardens are one of the show’s delights.
Among my especially memorable large show gardens is another from 2008 that told the story of former Beatle George Harrison. His life was commemorated at Chelsea in a garden designed by his widow Olivia Harrison and landscape designer Yvonne Innes.
Along a meandering pathway, George’s life unfolded, beginning in his father’s garden plot in Arnold Grove, Liverpool. The path continued, becoming a mosaic of the explosively psychedelic colours of ‘60s culture, past a glass wall bearing an image of a contemplative George in his garden inscribed with his song lyrics, “Floating down the stream of time, from life to life with me.” The journey ended at a white gazebo in a peaceful garden of white flowers representing his spiritual arrival in Nirvana. With one of his songs running through my head, this evocative illustration of his life captivated me.
Perhaps less emotive are the artisan and urban gardens. Around 30 of these small gardens, only five or six metres square, are grouped side by side along a wooded laneway to be viewed as though peering over a fence into someone’s front yard. They are whimsical, filled with novelty, unique concepts, and countless ideas for the visitor to try at home.
I’m always impressed by the unsurpassed attention to detail in these modest gardens. Moss-covered rocks slump in place as though they were born there. Rambling roses cling to drystone walls and wooden fences like long-lost lovers, despite having only just met. Laburnum trees, their rich yellow blossoms droop gracefully over a trickling stream. It would be difficult to replicate these perfect gardens in the real world, subjected to the vagaries of weather, but for a while at least, they spark the imaginations of all who view them.
Plants are precisely placed according to colour, form, and texture, not a fallen petal or a yellow leaf. It’s not hard to imagine an army of garden gnomes working furiously overnight to ensure everything is flawless — except. Except garden gnomes have been historically banned from the Chelsea Flower Show, deemed unworthy, too kitschy. At least they were until the 100th anniversary in 2013 when the ban was lifted and gnomes made their appearance in all shapes and forms, even gnomish effigies of Will and Kate were represented.
Plenty of garden kitsch is available from the 600 exhibitors in the market area, and throughout the rest of the show where only high-end kitsch is on display. Would you pay $50,000 for a bronze snail the size of a smart car? Maybe not, but for the discerning shopper, plenty of fine art statuary can be found.
Time for shopping is essential for many show visitors as every possible garden-related product is available, from the latest elixir for plants to gazebos furnished in decadent style. The man from Dubarry of Ireland is always there, standing in a pail of water to demonstrate the waterproof nature of their exclusive leather boots. “Worn by country squires everywhere, he tells me.” Each time I’m tempted to trade in my old rubber wellies, but I always relent and settle for a packet of rare seeds, hoping customs don’t impound them.
Rather than shop, I prefer to spend my limited time in the Grand Pavilion; a mind-boggling 1.2 hectare temporary structure impossibly jammed to the walls with the most amazing array of plants on earth, a symphony for the senses of colour and form. This is it, the plant lover’s fantasy world where superlatives are redundant. Your local paint store would be challenged to match all the hues, and that’s just the sweet pea display. All the specialist nurseries in the country are represented, competing for a gold medal, but not against each other. As in garden design, each medal is awarded based on meeting the highest of standards set by Chelsea judges — all or none might win.
Foxgloves, which I struggle to grow in my own garden, tower above me over two metres high, while a massed collection of David Austin roses infuses the air. Leading lupin breeder, Sarah Conibear of Westcountry Nurseries in Devon, stops the traffic flow, having diced and sliced the rainbow even further in her quest for yet another gold medal.
If you have a clematis clambering a wall in your garden, there’s a good chance it was bred by Raymond Evison, the clematis king winner of 27 gold medals. At his nursery on the Channel Island of Guernsey, Evison, one of the world’s largest producers of clematis plants, has bred over 100 new varieties. Every year he arrives at the show with at least one new cultivar. In 2005, he introduced Franziska Marie, a rich-blue, double-flowered variety named after his daughter.
I immediately wanted to buy one to bring home, but alas, plant smuggling is frowned upon. I considered begging for a cutting that I could slip in a sandwich at the airport and pretend was lettuce, but instead I waited until the plant eventually became available in Canada.
Even the British public are unable to purchase plants and immediately carry them away. Purchase they can, but they must wait until the close of the show to collect them, which happens precisely at 4:00 p.m. on the final day. A bell is rung to signal the end of the show and the start of the grand sell-off, the fastest way to clear the grounds of The Royal Military Hospital so that it can be restored to its original condition.
Over the following five days, the beautiful gardens are dismantled. It’s rare that a complete garden is sold and relocated to a permanent site. In the 1950s, however, former King Edward VIII, the Duke of Windsor, is said to have enthusiastically helped move a complete rock garden to his private estate. More recently, the 2008 garden by Cleve West was moved to Meadbank Care Home in Battersea owned by the international healthcare group, Bupa, West’s sponsor.
Otherwise, about 400 of tonnes of material has to be removed from the site. Large trees and shrubs are returned to the growers to be rehabilitated, smaller plants are sold off on site, while gravel, stone, concrete, and waste is recycled. Statuary will be returned or auctioned off for charity; meanwhile everything else is up for grabs.
At the ringing of the bell, the garden gloves come off and the previously genteel patrons of the Chelsea Flower Show become avaricious rivals in a gigantic botanical Boxing Day-like sale.
This is a feature of the show that I’ve not been present for, but it’s been described as a river-like flow of plants, shrubs and even trees filling the streets and sidewalks outside the grounds. There, pedi cabs and taxis are summoned and buses become greenhouses on wheels as thousands of plants are dispersed throughout the gardens of London and beyond to grow on as a living reminder of the gardener’s amazing day at the show.
Visitors from afar like me and my picnic table friends, unable to transport plants through customs, have to be content with inanimate souvenirs (surely not a gnome). Our memories and our memory cards, however, are jammed with images of thousands of plants singing in tune to concepts never imagined. This elevation of gardening as an art form will become inspiration for garden makeovers, or at least a new flowerbed with perhaps a hint of Tom Stuart-Smith or Cleve West in the design.
In my own garden I barely have room for more plants, and my aspirations as a designer are limited to attempts at the perfect groupings and colour combinations I’ve seen. Often I fail, but each summer when my Franziska Marie first blooms on the arbour, I share with gardeners around the world the same excitement and joy we experienced at the Chelsea Flower Show.
For some, one visit to the show may be enough, but for many, including me, the allure of rare plants, the sheer artistry of the gardens, the novelty and nostalgia, will always conspire to entice a return visit — at least one more time.
Stratford Festival Theatre
What Ontario tourist attraction receives fifteen hundred visitors twice a day? Would you believe the place is a garden? That’s quite a number and you may be wondering why you haven’t heard of it when it’s right on our doorstep. The secret is, those visitors may not be aware they’re visiting one of the finest public gardens in Southern Ontario.
Located at 99 Downie Street, Stratford, Ontario, this also happens to be the address of the Stratford Festival Theatre, and the primary intention for most of those visitors is to attend a performance at the theatre. Still, I’m guessing there have been more than a few plant lovers who’ve happened by and asked the purpose of the impressive building beside the gardens, but then, that’s a plant lover for you.For many theatre goers, the gardens are a serendipitous discovery. In the words of head gardener Anita Jacobson, “It sets it apart from other theatres. Many tell us they value the gardens as much as the theatre.”
There are four unique sections, each one a delight. The largest is The Arthur Meighan Gardens, created in 1996 as a gift from the family of Canada’s ninth Prime Minister, first elected in 1920. It lines the approach to the front entrance of the theatre. I began my exploration at the foot of the garden, at a magnificent, ninety-year-old gingko tree, beneath which is an understory of native plants, abuzz with pollinators. From there I meandered along the many crisscrossing paths up the gentle slope to the theatre. It took a while as there are so many exceptional plants, all in top condition, well established with room to reach their full potential. There are yellow hollyhocks, striking red crocosmia, and fragrant phlox in pastel shades. Ornamental grasses bring balance to the rich array of colours.
The Meighan garden is a botanist’s delight. Filled mainly with perennials, each one is clearly labelled with the botanical name followed by its common name. This is essential when visitors are inclined to ask the eternal question, “Quid est nomen illius planta” (What’s the name of that plant?). Horticulture students from Fanshawe College visit each September to practice their plant recognition skills, and there are enough species to keep them busy.
Ask Anita and she always has the answer. She began what would become her career while still a toddler, helping her father in his London, Ontario based landscaping business. She never strayed far from the plant world, and with a degree in zoology she added an essential understanding of the four or more legged pests that inevitably appear in a garden. Even two legged pests have been known to appear, snipping a cutting or two.
Caring for a public garden requires an understanding of both
weather and climate change. Being more
conscious of maintaining a water-wise garden, Anita now avoids the use of
overly thirsty plants. She monitors them closely, only watering when necessary.
“I also try to include plants that don’t need so much nursing along,” she says.
That includes the need for pest control. She plants fewer Asiatic lilies now
because of the voracious red lily beetle that devastates the plants.
With a depth of almost 60 centimetres (two feet) of healthy soil in the Meaghen Garden there’s little need for fertilizer, and judging from the health of the plants, they do fine without it.
The main goal of Anita’s team — two assistants and three summer help from May to August — is to ensure the garden always looks beautiful — all the time. Snipping spent blooms, known as deadheading, is a continual process. Tricks like the Chelsea chop are used to encourage plants like garden phlox to produce more blooms. It’s named for the British custom of lightly shearing receptive plants in early June, after the conclusion of the Famous Chelsea Flower Show.
Whereas a display at such a garden show is created to last only a few days using impractical plant combinations, it’s a much greater challenge to ensure a permanent garden always looks its best, especially as few perennials bloom all season long. The Meighan Garden is a fine example of clever succession planting, where a range of plants are selected to bloom on time, in sequence, before leaving the stage. For Anita, this is like seeing a new performance weekly. “I tell people who remark, come back next week as there’ll always be something different.”
Does she a favourite plant? “Yes,” she tells me, I always have favourites, but they’re different favourites every month, although I really like the perennial hibiscus and I love the Japanese anemones. They’re so fresh at the end of summer.” After an hour in the garden, I have a list of new favourites.The Meighan garden is a place to enjoy, to learn, to see the potential of plants that can easily be grown successfully in one’s own garden.
Venture a short way along the building forecourt, past the huge planters, each containing Lantanas, a popular garden annual impressively trained into small trees, and you’ll find the Ann Casson rose garden. To pass by on a balmy, midsummer evening is to be enchanted by the fragrance.
There is a perception that roses can be difficult to grow successfully as older varieties are often more susceptible to disease. You wouldn’t think so of the ones in Anita’s rose garden. She moved the original plot out of the shade of ever larger trees and into a more favourable place in full sun where the roses excel. With her team’s daily attention, they perform to perfection.
The rose bed is filled with about forty varieties in a rainbow of colours. Included are familiar hybrid tea and floribundas, newer David Austens, and Canadian bred Explorer Roses.
“People do have a fond spot for roses, says Anita. “They
like to see a hybrid tea in different colours because everyone has their
favourites. Some of mine are Double Delight, Pretty Lady, Munstead Wood, and De
Montarville.”
Only steps away is The Elizabethan Garden. Here, perhaps during intermission, a theatre goer can slip right into a floral representation of the age of Shakespeare, and ponder, as he may have, at the sight of many of the flowers that would have been familiar to him.
This is an immaculately maintained, parterre garden, a style first introduced in France during the life of Shakespeare. Elegantly designed with crazy paving, a method that originated in ancient Rome, the sections of parterre are enclosed by neatly trimmed boxwood hedges. At one corner stands a gleaming steel statue of the bard, book in hand. On the fountain at the centre, words from his play Cymbeline are inscribed: “These flow’rs are like the pleasures of the world”.
Within the symmetrical parterre are four named gardens containing plants that were familiar, and in use in the sixteenth century. There’s the Witch’s Garden with plants like Vervain, considered in ancient times to be a herb with great medicinal powers. In the romantic garden are flowers that were used to make garlands, nosegays, and posies. These would perhaps include clary sage, used for love potions, dreams, and divinations; and of course, in the Kitchen Garden are edible plants and herbs. It’s best described as an Elizabethan drugstore.The fourth section is Shakespeare’s garden, where plants are paired plants with passages mentioned in Shakespeare's works. “The challenge was to find plants from 500 years ago that would display well alongside modern day species,” Says Anita. She found them: cowslip, peony, yellow flag, wild thyme, hyssop, and eryngium. Both the old names and the botanical names are used to identify them. There’s even Agrostemma githago, known before botanists renamed it as corn-cockle a common weed of wheat fields. Thanks to modern farming methods, it’s almost extinct in the land of Shakespeare. In this garden, it’s allowed to produce a mass of magenta flowers.
Given the hundreds of references to plants mentioned by Shakespeare in his plays and sonnets, had he failed as a playwright he might have been a gardener. Given the mystery surrounding his identity, maybe he was.
Beyond the Elizabethan Garden, in an expanse of lawn, is a carpet bed, a style that was all the rage in the Victorian era and is still popular in public gardens. A carpet bed is designed using low growing plants to present a smooth surface patterned as the name suggests. This one provides a contemporary connection with the theatre that particularly attracts the interest of theatre goers who may have only a passing interest in plants and gardens.
Anita tells me many carpet beds were established in the early days of the theatre by Dennis Washburn, of England. “All were taken out after renovation, but the public missed them and demanded they be put back in.” A round one seventeen feet in diameter was added at the time by Harry Jongerden, the head gardener who preceded Anita, and is now executive Director at the Toronto Botanical Garden. “Harry had the idea to take pictures or images associated with the plays and illustrate them in the garden.”
Anita continues the tradition, but for easier access for maintenance, she switched to a long, narrow bed, two metres wide and fifteen metres long. The carpet bed is planted in sections, separated by taller plants. In each of the sections, plants form a symbol representing six of the plays being performed during the season. The fun is in trying to guess which of six plays are represented.
Among them for the 2018 season were a map of Italy for
Napoli Milionaria, a bottle and glass to
represent the bourbon consumed in a
Long Day’s Journey into Night, and perhaps the easiest to discern, a pair of
legs in high heels that could only be The Rocky Horror Picture Show. One of the
shows for the 2019 season is Little Shop of Horrors. Now that could pose a
challenge for Anita. Will we see the appearance of an Audrey II?
For Anita, the work doesn’t end. She’s as busy as ever, planting and replanting, keeping the gardens tidy until winter snow hides them. She reviews what worked and what didn’t in her continuing quest to get everything perfect, despite the vagaries of plants and weather. “It worries me when things don’t look the way I want them to. It motivates me to get it right.”
Ask any one of those fifteen hundred visitors if she did and I’m sure the answer would be, “She sure has.”